Category Archives: Carving

Work in progress


Here are two lime wood blanks I have marked up with designs. They await a time when I can start sawing…


…and here they are after a long and exhausting process of sawing/drilling/chiselling etc. The one on the left was very challenging because of its shape – some areas were hard to get to with hand tools, so I had to resort to drilling. The one on the right was difficult because it is thick wood (10cm+) so hard work to saw, and slightly too big for my vice to hold, so it was tricky to secure for sawing. Now all I have to do is carve them, sand and polish!

Seated Lady

My latest carving (21cm tall, lime). I am very pleased with this one. It is the first time I have used a new set of chisels (rather than predominantly using knives) and I am glad that I was able to be as subtle with the chisels as with the knives.

I don’t pretend to be an expert on female anatomy, but I know a nice curve when I see one. That is what I was aiming for with this piece – beautiful curves from every angle.

Seated Lady (side view)

Seated Lady (360degrees)

Prostrate Figure

20150123_111349I have started a carving of a man partially curled into a ball. Here is a photo of an early stage. The wood is sapele.

I have a little carving of a man rolled into a ball – you may have seen them in shops that sell candles, joss sticks and so on. They are sometimes referred to as The Weeping Buddha/Monk/Warrior. This is my version of that figure (or at least, partially inspired by it).

It is hard going, as the wood is very hard (this is the first time I have used sapele) and I’m struggling to map my 2D sketches into 3D. Also, I have put it on the back burner for a while – I have been working on another carving as a present for a friend for the last 3 days.

More photos to follow (unless I give up!)…

Next stage:


 And the final carving:


Standing Lady

Standing Lady

This is an entirely improvised piece I carved from a small branch of cherry using my penknife (and sand paper).

Unlike with most of my more complicated carvings, I had not made any designs or sketches for this piece; I just felt like carving so I picked a piece of wood and started cutting. The lady herself is only about 8cm tall, so it was very fiddly work. I am very pleased with the finished result.

Carving ‘Spiral Embrace’

Here is a description of my entire carving process for what was a very ambitious piece for me: ‘Spiral Embrace’ – a wedding anniversary present for my wife. I had started on the designs about 5 months before I began carving, so I had a lot of time to think about it. It took about 14 hours of carving work spread out over a month. The fact that it had to be done in secret was an additional challenge!



1. The vast majority of my carvings start out as sketches around a general idea. The initial idea for this piece was of two figures entwined round each other in a spiral, but forming a single form, with one supporting the other at the base.

2. From the rough sketches, I draw an accurate design from the front and the side. I sometimes make notes as it can be hard to map these 2D images onto a 3D block of wood, especially with a continuously curved shape like a spiral.




3. For complicated carvings, I sometimes do a smaller version to start with, using a soft wood like pine. This allows me to test out how I imagined the 3D piece. I was unsure whether to have this piece divide into two or stay connected. Dividing the piece didn’t really work with the maquette, so I decided against it for the final piece.

4. I cut away large sections of wood from the initial block before I start using knives or chisels. This can be tiring work as it is done by hand and the wood is hard.

5. I trace the 2D designs onto the sides of the wood. I often have to do this several times as I cut away portions of the design.




6. Here all of the saw-work is complete, and I have redrawn the design onto the wood by eye.

7. Now I have started to use carving knives to take away larger chunks of wood. This is where I have to work hard to visualise the sculpture in order to bridge the gap between the 2D designs and the 3D shape. I get very nervous at this point, and it is the hardest part of the carving for me. This is where having a small version of the carving to refer to comes in very useful.

8. I have now formed a nice continuous spiral with the figures, and the only large portion of wood that has yet to be removed is a central core.




9. Here the core has been removed through lots of careful carving from all available angles. I remember that it is very rewarding to reach this point in a carving. The two figures are now distinct and I am starting to get excited about how it will look when finished.

10. I have now finished carving and have completed the first few rounds of sanding. You can see how the piece will look, but the finish is still rough.

11. The final piece after fine sanding. All that is left to do is apply a couple of coats of finishing wax and polish.

Spiral Embrace